Archive for the ‘Parker Mason’ Category
It happens to me every summer.
The sun comes out, and all of a sudden I’d rather be playing soccer, riding my bike or sitting on a patio instead of working on BlogCampaigning.
Don’t worry, though. I’ll be back soon enough with some stuff here. Expect updates about my new job, thoughts about the advertising industry, why I think Toronto is Canada’s #1 Second Class City and lots more. I’m also big on the idea of those infograpahic-type things that you see everywhere these days, so maybe I’ll even try and put one together.
Until then, follow BlogCampaigning on Twitter to stay in the loop. Or just get outside and spend some time enjoying the good weather.
-Parker
On Saturday, June 12, I uploaded a series of vintage NASA photos to Flickr.
I wrote a blog post about how I found the photos, Stumbled the Flickr set, and also emailed a link to the set to one of my favorite blogs, io9.
When I woke up on Sunday morning, the set had over 10,000 views. As the day went on, and I kept checking the stats, it continued to gain more views.
What happened?
io9 wrote about the photos, referring to them as “the motherlode of space porn” and linking to the set on Flickr.
That post received approximately 52 different tweets, while a link to the set itself has received almost 90 tweets.
Jens told me he was going to submit it to Boingboing and Reddit, but he was too lazy to do either.
According to a little search I did, it was also shared on Facebook 82 times, got 45 “Likes” and 35 comments.
Since then, 52 different people have added me as a contact on Flickr (you can too: I’m ParkerNow there as well). My photos have had over 50 comments and tons of them have been made favorites by other people. Even better is that some of the Flickr people commenting are incredibly knowledgeable about the photos and are adding information, like when the photo was taken and who is in it (as below):
Admittedly, the photos weren’t really “mine” to begin with (as various comments have pointed out, better quality versions of some of the pictures are available on the NASA website and are in the public domain), but I wanted to put them in a public space and the whole thing has turned out to be a pretty rewarding experience.
On a related note, this graphic of “Your Flickr Stats Explained” is pretty good.
-Parker
Did you watch the Brazil/North Korea game today? I caught part of it while I was eating a late lunch and thought that Maicon’s goal was amazing.
Nike agreed and (not a brand to miss a beat) did an excellent job of capitalizing on it by posting an image of Maicon with the caption “Know Your Angles. Write The Future.” on the Nike Football Facebook page.
No kind of planning or content calendar can take that into account. An update like that with a response of over 1500 “Likes” on Facebook and more than 300 comments means that Nike is in tune with its audience and able to deliver what will create conversation amongst them.
In short, Nike knows its angles.
Between this and the previous post I wrote about the Pitch Perfect series of mixes, you’re probably thinking I’ve gone a bit nuts for Nike.
The truth is that I’ve worn Nike shoes for years (they fit my feet well), and currently have about four active pairs (cleats, indoor soccer, running, casual). If they’re going to keep me entertained as well, what’s not to love?
-Parker
Note: this post has some spoilers about Ender’s Game, so if you haven’t read it yet, don’t read this post. Just go out and buy it and read it, because it’s amazing. But don’t take my word for it; I mean, the 1986 Hugo Award and 1984 Nebula Award are hard to argue with. It’s not even that long of a book. You can probably finish it in a lazy summer afternoon at the cottage, if you put down your iPhone for long enough. You can buy it on Amazon right now for, like, seven bucks.
This weekend, I finished re-reading Ender’s Game for the first time since I originally read it ten years ago and was blown away by how well the author, Orson Scott Card, predicted the future from the early 80s.
I say the early 80s, but it could have been earlier. Card’s first version was published as a story in a science fiction magazine in 1977. He later fleshed this out to a full-fledged novel in 1985 (according to the copyright information in my copy of the book), and made some more minor changes in 1991.
And when I’m talking about how Card predicted the future, I’m not talking about Ender’s Desk (which is described exactly like an iPad) or even the Ansible, a device capable of near-instantaneous communication over vast distances (not that far off, really). I’m talking about how he predicted the rise of blogging and the influence social media can have over culture and politics.
While most of the plot of the book follows young Ender Wiggin, youngest of three children, as he goes to Battle School at the age of six to learn how to be the commander of a fleet to fight invading aliens, a sub-plot involves how his sociopathic, but brilliant, brother Peter, and more empathetic, but equally brilliant, sister Valentine, are left home on earth.
Under the leadership of Peter, the two of them start contributing to “forums” on the “nets” using pseudonyms, or characters:
“They began composing debates for their characters. Valentine would prepare an opening statement, and Peter would invent a throwaway name to answer her. His answer would be intelligent, and the debate would be lively, lots of clever invective and good political rhetoric. Valentine had a knack for alliteration that made her phrases memorable. Then they would enter the debate into the network, separated by a reasonable amount of time, as if they were actually making them up on the spot. Sometimes a few other netters would interpose comments, but Peter and Val would usually ignore them or change their own comments only slightly to accommodate what had been said.”
The next paragraph describes how Peter tracked how their work was being read and shared, and reads almost like a description of media monitoring in 2010.
As the two keep writing, their influence grows, their articles get syndicated, and they begin to get involved in serious policy discussions. Since its all online, no one knows that it is actually just two genius children.
Implausible? Yes. Impossible? No.
While I doubt that our global politics are being played like a game of chess by a couple of kids, I think Orson Scott Card’s prediction of the way an ordinary citizen can get involved via the internet and become a serious, real-world influence is a great bit of future-casting.
Reasons like that are why I love reading science-fiction, be it old-school Heinlein and Asimov, 80s cyberpunk, or the post-human stuff that’s all the rage these days. Science fiction is a framework for thinking about what could happen; it’s a way of looking forward to finding out who is going to be right.
Have you read Ender’s Game? Were Peter and Valentine the original bloggers?
Producing high-quality, shareable content is the way to get noticed these days, and it doesn’t have to be that hard. There are tons of musicians and artists out there with huge followings, and the inability of the record industry to deal with this in the internet era means that these artists are looking for other options.
Corporate sponsorship is one of those options, and a great example of this is Nike Sportswear’s Pitch Perfect series of albums:
With full-on football (aka soccer) mania about to consume the minds and hearts of billions around the globe, The FADER wanted to express what the sport means to us. Faced with that seemingly daunting task, we decided to focus on what we know—music, art and culture—and view the game through the creative endeavors inspired by it. To that end, The FADER has joined with Nike Sportswear to present our collaborative project, Pitch Perfect.
Starting on June 1, 2010, and stretching over the next several weeks, we will give you new music from all over the world via continental mixtapes made by top selectors, limited edition screen-printed posters inspired by football’s global reach, and, best of all, a special documentary series filmed in South Africa by The FADER crew as football fans deluge the country. While we’re there, Nike Sportswear and The FADER will present a live music event on June 16 at Nike’s brand new Football Training Center in Soweto, featuring artists from all over Africa, that will also be streamed live on nikesportswear.com and thefader.com/pitchperfect so that all those who couldn’t make it to South Africa can feel like they did.
I’ve argued before that this kind of promotion is a win-win-win: fans get to listen to the music they like; the artists get paid for their work and gain new fans; and the brand is able to connect with their audience in a meaningful way.
Scion (the car company) has done something similar, and so has the Cartoon Network with their ATL-RMX album (probably the best mix of southern hip-hop and electronic music you’re likely to find outside of The Hood Internet).
…And as I was wrapping up this post, I realized that Starbucks has teamed up with iTunes for a similar deal. From Frappucino.com/iTunes:
“Starbucks has created a free music mix to complement your Frappuccino® beverage. Featuring electrifying summertime favorites ranging from Frightened Rabbit to Hot Chip, your free Frappuccino® Beverage Music Mix is available to download on iTunes now!”
How do you feel about this model for sponsoring musicians? Do you like it when your artists team up with brands you may or may not like?
Last year, I wrote about how MAVERICK offered an internship position via an American Idol-type of competition.
Now that I work at MAVERICK, I’m excited to see that the agency is doing it again. One of last year’s contestants, Katie Boland, is still a full-time employee here and I work with her on a couple of different projects.
This year’s competition will mean that the aspiring intern has to face two rounds of questions from a panel of MAVERICK employees. I think this is a great chance for the applicant to show that they are good at public speaking and can think quickly on their feet.
The winner will be notified that day, and will receive an twelve-week paid internship (from what I’ve heard, the pay for this is above average for similar internships). More importantly, they’ll get experience in media monitoring, writing, planning and social media. While there is no guarantee that they will end the internship with a job, the experience will help them in their career.
For more details, please see Julie “The Maven” Rusciolelli’s blog post about the contest (or check the MAVERICK website) . Interested applicants should send an email with their resume to idol@Maverickpr.com by May 7 at 5:00 p.m. They will then have to show up in person at the MAVERICK offices on May 12 at 10:00 am.
Is this a good way to find interns? If you are a student, would you apply for a position this way?
-Parker
“A couple of years ago the social media press release was all the rage”, writes Mark Evans. He suggests that PR and marketing people believed, “the social media release would revolutionize everything”.
As someone who was on the front lines of the Social Media Press Release development for a couple of years, I have no idea what he is talking about.
I think that, yes, there was a little bit of excitement amongst a segment of social media nerds (myself included) about how the SMR was a nice update to the traditional news release, but I’d hardly call it a “rage”.
Even now, with the Social Media Release business seemingly good for CNW Group (my former employer), Marketwire, Pitch Engine, and probably a lot of other companies, I’d still be hesitant to call it “raging”. (In the comments on Mark’s post, CNW’s Amanda Laird does point out that the SMR is CNW’s fastest growing product.)
As recently as last year at PodCamp, there was still confusion from people about what an SMR even was.
No one ever said the SMR would “revolutionize everything”.* If I remember correctly, most of the talk was about how the SMR was part of the evolution of the traditional press release. It was a natural move. Today, most people would agree that online newsrooms that can incorporate multimedia elements are where this has evolved to. I tend to agree with that, but I’d even say that a news release with links to multimedia content follows that same evolution.
In the comments on his post, Mark adds “personally, I’ve found that many clients are using micro-sites or creating Web pages that include a press release, high-res photos and graphics and video instead of using a social media press release.” If these micro-sites or web pages with news and multimedia content aren’t SMRs or a close relative, then I don’t know what they are. They certainly aren’t radically different.
What I do agree with Mark about is that the important part of media relations is the social part—the relationships with reporters, the reaching out to known contacts.
I’ve always advocated this approach, and I’m happy to see that CNW continues to do so. (A single tear rolled down my cheek when I read that blog post.) In fact, this approach is even embedded in the name of this tool—it is called a SOCIAL media release for a reason.
Maybe I’m wrong about all this, though. Maybe I did miss the SMR party a few years ago. Maybe the PR world has given up on providing the media with compelling images, audio, and easily shareable video. Maybe everyone has gone back to plain-text news releases, delivered via fax and horseback.
-Parker
*I was definitely pretty excited about the whole SMR thing when it first came out. If you can find evidence of me saying that it would “revolutionize” PR or news releases, I’ll buy you dinner. If you can find evidence of anyone else saying it would “revolutionize” PR or news releases, I’ll buy you a beer.
A few days ago, Jevon MacDonald wrote a post on StartupNorth advising startups to avoid using Public Relations agencies or Marketers to contact him on their behalf. While he was speaking about his site specifically, his statement suggests that hiring a PR firm means a startup’s priorities are “out of wack”.
I disagree. I don’t think that every startup needs a PR firm, but there are certainly many that do. Getting some early coverage can be key to getting investors, and PR firms can help with reaching the right audiences and helping the startup founder tell an interesting story about the company.
While some founders are probably great at writing and communicating, there are equally as many that aren’t. A PR agency can help draft emails, arrange interviews, and develop collateral. These are all things that PR pros excel at, and that would take away from time that a startup founder could probably spend working on the key element of their company.
Tim Lee wrote about a similar topic in a post titled PR Firm as The Anti-Signal, and I followed that one up, too.
What do you think? Should startups be hiring PR companies, or are they a waste of time?
-Parker
Just like Carlsberg describes itself as “probably the best beer in the world,” I’m pretty sure that Thirsty Thursday is probably the best PR meet-up in Toronto. Maybe I’m just saying that because I recently turned 28, and I think I’ve entered my Carlsberg years.
Or maybe I’m just in the middle of my Thirsty Thursday years, and that means you probably are too. If you come out to Pauper’s Pub (372 Bloor Street West) on April 15, we can debate the whole thing.
From the official invite:
Spring is here and so is the latest edition of Thirsty Thursday!
Hot on the heels of our Talk Is Thirsty event last month, we’re back at our usual venue of Pauper’s Pub. Join us for a few extra-casual beers as we talk about billable hours, best practices for media relations and how glad we are that we didn’t go to med school.
We’ll also be raising a few pints to welcome Rick Weiss into the fold as a co-organizer of Thirsty Thursday (mostly because he’s the one that reminds us we should do another of these events and because Cathy and Scott don’t help out anymore).
Feel free to show up with friends, or by yourself. Chris Clarke will be at Pauper’s “holding down the fort” around 5:30 pm, while the rest of us will show up around 6:00.
RSVP to the event on Facebook so we know how many people to expect and join the Thirsty Thursday Group on Facebook so you won’t be left out of our May event (its going to be awesome).
-Parker
PS: We need a logo for Thirsty Thursday – anyone want to give it a shot?
BoingBoing was one of the first blogs that I ever read, and it’ll always have a special place in my heart. (This post remains some of the best advice I’ve read on the internet.) I don’t subscribe via RSS or email anymore, but I still stop by once in a while just to see how things are going.
Over the past few months, they’ve been touting the BoingBoing Bazaar, a section of the Makersmarket website that features products hand-selected by BoingBoing staff.
More recently, they posted that they also have a BoingBoing online store on Amazon.
Presumably, the BoingBoing organization gets a cut of all products they sell through these online outlets.
So does that mean they sold out?
No. In a way, I think they did almost the exact opposite. While they used to offer their readers their opinions and thoughts on the weird internet ephemera that they found, now they can share the equally weird and cool physical goods
Better yet, by getting paid as affiliates (as I assume they do), they’re rewarded for all the work they put into the blog. I feel like by including these suggestions as part of the editorial content, the BoingBoing crew is walking a very fine line. However, if their users feel like they’re endorsing products strictly in order to make money, they’ll stop reading.
While micro-payment services like Flattr aim to make it easy for you to reward the sites or artist you like online, I think they are a bit idealistic (the world isn’t ready for this type of whuffie thinking) and don’t result in any reward for the person paying beyond a warm, fuzzy feeling.
Online advertising is dead and dying. The future of profitable websites is in their ability to develop content that they can turn into sales of actual, physical goods or services. Whether success comes in the form of the website selling branded goods related to its own brand (BlogCampaigning pogs, maybe?) or by setting up its own, shop like BoingBoing has remains to be seen.
This is an issue with all forms of digital media, from blogs and websites to music, movies and games so I’m definitely interested in seeing how it will turn out.
What do you think? Did BoingBoing sell out? Would you buy products that the BlogCampaigning crew recommended? What is the best way to reward your favorite website?
-Parker







